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Scenography & costumes for K. - Musikkteater by BW Bauck/Winterhalder, Spriten Kunsthall & Rom for Dans 2023.
"K." is a musical theater performance inspired by Franz Kafka's novel "The Trial" (1925).
Performers: Ivar Furre Aam, Kornelia Melsæter, Kai Kenneth Hanson
Musicians:
Ole Martin Huser-Olsen, Ingvild Nesdal Sandnes, Martin Rane Bauck
Director: Ivar Furre Aam
Music composition: Martin Rane Bauck
Text: Nelly Winterhalder & Ivar Furre Aam
Light design: Corentin JPM Leven
Scenography: Hazel Barstow, Mie Dinesen
Costumes: Hazel Barstow
Producer: Emil Storløkken Åse
Photography: Magnus Skrede
Performers: Ivar Furre Aam, Kornelia Melsæter, Kai Kenneth Hanson
Musicians:
Ole Martin Huser-Olsen, Ingvild Nesdal Sandnes, Martin Rane Bauck
Director: Ivar Furre Aam
Music composition: Martin Rane Bauck
Text: Nelly Winterhalder & Ivar Furre Aam
Light design: Corentin JPM Leven
Scenography: Hazel Barstow, Mie Dinesen
Costumes: Hazel Barstow
Producer: Emil Storløkken Åse
Photography: Magnus Skrede
Scenography & costumes for K. - Musikkteater by BW Bauck/Winterhalder, Spriten Kunsthall & Rom for Dans 2023.
"K." is a musical theater performance inspired by Franz Kafka's novel "The Trial" (1925).
Performers: Ivar Furre Aam, Kornelia Melsæter, Kai Kenneth Hanson
Musicians:
Ole Martin Huser-Olsen, Ingvild Nesdal Sandnes, Martin Rane Bauck
Director: Ivar Furre Aam
Music composition: Martin Rane Bauck
Text: Nelly Winterhalder & Ivar Furre Aam
Light design: Corentin JPM Leven
Scenography: Hazel Barstow, Mie Dinesen
Costumes: Hazel Barstow
Producer: Emil Storløkken Åse
Photography: Magnus Skrede
Performers: Ivar Furre Aam, Kornelia Melsæter, Kai Kenneth Hanson
Musicians:
Ole Martin Huser-Olsen, Ingvild Nesdal Sandnes, Martin Rane Bauck
Director: Ivar Furre Aam
Music composition: Martin Rane Bauck
Text: Nelly Winterhalder & Ivar Furre Aam
Light design: Corentin JPM Leven
Scenography: Hazel Barstow, Mie Dinesen
Costumes: Hazel Barstow
Producer: Emil Storløkken Åse
Photography: Magnus Skrede
Live visuals for DER UTE, performance concert by OAK & SHAW
photograph: André Wulf
Live visuals concept developed during a residency at Velferden - Sokndal Scene for Samtidskunst in 2022 with Hazel Barstow and OAK & SHAW. Since then the concept has been re-worked and performed by Karoline Klasen Holland.
Concept/ music/ text: OAK & SHAW / Kaja M. Egeberg, Tobias S. Petersen
Performance: Kaja Mærk Egeberg, Tobias Shaw Petersen
Video: Hazel Barstow, Karoline Holland
Light design: Felipe Osorio Guzman
Live-video performance/ outside eye: Karoline Holland
Supported by: Velferden - Sokndal Scene for Samtidskunst, Norsk Kulturråd, Statens Kunstfond, FFUK, Rosa, Koda
Live visuals concept developed during a residency at Velferden - Sokndal Scene for Samtidskunst in 2022 with Hazel Barstow and OAK & SHAW. Since then the concept has been re-worked and performed by Karoline Klasen Holland.
Concept/ music/ text: OAK & SHAW / Kaja M. Egeberg, Tobias S. Petersen
Performance: Kaja Mærk Egeberg, Tobias Shaw Petersen
Video: Hazel Barstow, Karoline Holland
Light design: Felipe Osorio Guzman
Live-video performance/ outside eye: Karoline Holland
Supported by: Velferden - Sokndal Scene for Samtidskunst, Norsk Kulturråd, Statens Kunstfond, FFUK, Rosa, Koda
DER UTE performance concert by OAK & SHAW
photograph: André Wulf
Live visuals concept developed during a residency at Velferden - Sokndal Scene for Samtidskunst in 2022 with Hazel Barstow and OAK & SHAW. Since then the concept has been re-worked and performed by Karoline Klasen Holland.
Concept/ music/ text: OAK & SHAW / Kaja M. Egeberg, Tobias S. Petersen
Performance: Kaja Mærk Egeberg, Tobias Shaw Petersen
Video: Hazel Barstow, Karoline Holland
Light design: Felipe Osorio Guzman
Live-video performance/ outside eye: Karoline Holland
Supported by: Velferden - Sokndal Scene for Samtidskunst, Norsk Kulturråd, Statens Kunstfond, FFUK, Rosa, Koda
Live visuals concept developed during a residency at Velferden - Sokndal Scene for Samtidskunst in 2022 with Hazel Barstow and OAK & SHAW. Since then the concept has been re-worked and performed by Karoline Klasen Holland.
Concept/ music/ text: OAK & SHAW / Kaja M. Egeberg, Tobias S. Petersen
Performance: Kaja Mærk Egeberg, Tobias Shaw Petersen
Video: Hazel Barstow, Karoline Holland
Light design: Felipe Osorio Guzman
Live-video performance/ outside eye: Karoline Holland
Supported by: Velferden - Sokndal Scene for Samtidskunst, Norsk Kulturråd, Statens Kunstfond, FFUK, Rosa, Koda
Music video for the release DISSOLVING by Oak & Shaw (2021)
music video created for Oan & Shaw release of DISSOLVING. out of my own analogue photography and cutouts from old thrift store books.
sci fly
SCI-FLY, co-produced by Øyteateret and NOBA (2022)
SCI-FLY is an interactive performance exploring the human - insect relationship, both today and historically.
The performance invites people of all ages to wonder, ponder and sense together about our important collaborators through all time, the insects.
SCI-FLY is co-created between these two-legged species:
Prosjectleader and performer - Hazel Barstow
Text writer and performer - Mari Pitkänen
Scenographer, sounddesigner and performer - Maria Wang Kvalheim
Propsmaker and performer - Monika żak
Costumedesigner insect - Cecilio Martínez Orozco
Costumedesign team - Maria Wang Kvalheim & Monika żak
Producers - Hazel Barstow (Øy) & Rebekka Sæter (NOBA)
Graphic design - Juraj Kočár
Photography - Aksel Pépin
Video - Andreas Strand Renberg
Outside eye - dramaturg Ellen Jerstad
An extra thanks to Sandra Bringsjord Pape, Marianne Malmåsen for all help.
Thank you to Tormod Fuglestad for carpentry.
Another great thanks to Kulturinstitusjonen Losæter for generous use of their garden, house and fauna for work in progress showing!
SCI-FLY was made possible by support from Kulturrådet and Fond for utøvende kunstnere (FFUK).
SCI-FLY is a co-production between Øyteateret and Norwegian Bioart Arena (NOBA) at Vitenparken Campus Ås. World premiere was 2.july, 2022 in Ås.
The performance invites people of all ages to wonder, ponder and sense together about our important collaborators through all time, the insects.
SCI-FLY is co-created between these two-legged species:
Prosjectleader and performer - Hazel Barstow
Text writer and performer - Mari Pitkänen
Scenographer, sounddesigner and performer - Maria Wang Kvalheim
Propsmaker and performer - Monika żak
Costumedesigner insect - Cecilio Martínez Orozco
Costumedesign team - Maria Wang Kvalheim & Monika żak
Producers - Hazel Barstow (Øy) & Rebekka Sæter (NOBA)
Graphic design - Juraj Kočár
Photography - Aksel Pépin
Video - Andreas Strand Renberg
Outside eye - dramaturg Ellen Jerstad
An extra thanks to Sandra Bringsjord Pape, Marianne Malmåsen for all help.
Thank you to Tormod Fuglestad for carpentry.
Another great thanks to Kulturinstitusjonen Losæter for generous use of their garden, house and fauna for work in progress showing!
SCI-FLY was made possible by support from Kulturrådet and Fond for utøvende kunstnere (FFUK).
SCI-FLY is a co-production between Øyteateret and Norwegian Bioart Arena (NOBA) at Vitenparken Campus Ås. World premiere was 2.july, 2022 in Ås.
SCI-FLY, co-produced by Øyteateret and NOBA (2022)
SCI-FLY is an interactive performance exploring the human - insect relationship, both today and historically.
The performance invites people of all ages to wonder, ponder and sense together about our important collaborators through all time, the insects.
SCI-FLY is co-created between these two-legged species:
Prosjectleader and performer - Hazel Barstow
Text writer and performer - Mari Pitkänen
Scenographer, sounddesigner and performer - Maria Wang Kvalheim
Propsmaker and performer - Monika żak
Costumedesigner insect - Cecilio Martínez Orozco
Costumedesign team - Maria Wang Kvalheim & Monika żak
Producers - Hazel Barstow (Øy) & Rebekka Sæter (NOBA)
Graphic design - Juraj Kočár
Photography - Aksel Pépin
Video - Andreas Strand Renberg
Outside eye - dramaturg Ellen Jerstad
An extra thanks to Sandra Bringsjord Pape, Marianne Malmåsen for all help.
Thank you to Tormod Fuglestad for carpentry.
Another great thanks to Kulturinstitusjonen Losæter for generous use of their garden, house and fauna for work in progress showing!
SCI-FLY was made possible by support from Kulturrådet and Fond for utøvende kunstnere (FFUK).
SCI-FLY is a co-production between Øyteateret and Norwegian Bioart Arena (NOBA) at Vitenparken Campus Ås. World premiere was 2.july, 2022 in Ås.
The performance invites people of all ages to wonder, ponder and sense together about our important collaborators through all time, the insects.
SCI-FLY is co-created between these two-legged species:
Prosjectleader and performer - Hazel Barstow
Text writer and performer - Mari Pitkänen
Scenographer, sounddesigner and performer - Maria Wang Kvalheim
Propsmaker and performer - Monika żak
Costumedesigner insect - Cecilio Martínez Orozco
Costumedesign team - Maria Wang Kvalheim & Monika żak
Producers - Hazel Barstow (Øy) & Rebekka Sæter (NOBA)
Graphic design - Juraj Kočár
Photography - Aksel Pépin
Video - Andreas Strand Renberg
Outside eye - dramaturg Ellen Jerstad
An extra thanks to Sandra Bringsjord Pape, Marianne Malmåsen for all help.
Thank you to Tormod Fuglestad for carpentry.
Another great thanks to Kulturinstitusjonen Losæter for generous use of their garden, house and fauna for work in progress showing!
SCI-FLY was made possible by support from Kulturrådet and Fond for utøvende kunstnere (FFUK).
SCI-FLY is a co-production between Øyteateret and Norwegian Bioart Arena (NOBA) at Vitenparken Campus Ås. World premiere was 2.july, 2022 in Ås.
SCI-FLY (2022)
Video of premiere at Vitenparken i Ås. Video created by Andreas Strand Renberg.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
BridgePain performancegroup
performances by BridgePain (BP) 2016 - 2020.
BP members:
Ale Mendez, Maret Tamme, Hazel Barstow, Klara Krämer and Marie De Testa.
BP members:
Ale Mendez, Maret Tamme, Hazel Barstow, Klara Krämer and Marie De Testa.
Plaza Records (2019)
performance by BridgePain at Prague Quadrenniale for Architecture and Design june 2019. A durational performance lasting 6.5 days, documenting the festival and actions in the plaza square, through an onsite performance office. A part of "Formations" - a 7 Day experimental performance event curated by D. Chase Angier & Serge von Arx.
Scenography and costumes for PlatonPlatina (2018 - 2020)
A performance exploring the possibilities of Plato’s dialogue Lesser Hippias, which deals with the paradox of what ”the good person” is. The performance investigates the dialogue through a mixtue of theatre, site specific arrangements and badmington. Platon Platina has so far been shown in a variation contexts including Museum of Contemporary Art Roma (2019), Sentralen Oslo (2020) and latest at Stockholm Fringe Festival (2020).
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
Scenography and costumes for PlatonPlatina (2018 - 2020)
A performance exploring the possibilities of Plato’s dialogue Lesser Hippias, which deals with the paradox of what ”the good person” is. The performance investigates the dialogue through a mixtue of theatre, site specific arrangements and badmington. Platon Platina has so far been shown in a variation contexts including Museum of Contemporary Art Roma (2019), Sentralen Oslo (2020) and latest at Stockholm Fringe Festival (2020).
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
masks for Nora Danser sin Tarantella by Ingvild Holm (2020)
Nora danser sin tarantella is a stunted artmovie with wooden marionettes in the main roles, performed and created by Ingvild Holm. It is based on Ibsen´s A Doll´s House and has been shown as a series of site specific performances.
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Mask for Nora
Nora danser sin tarantella is a stunted artmovie with wooden marionettes in the main roles, performed and created by Ingvild Holm. It is based on Ibsen´s A Doll´s House and has been shown as a series of site specific performances.
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Long shot for recent tides, Site specific performance (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Long shot for recent tides, Site specific performance (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Solo performances with doubles (2015 - 2019)
a research into site specific stories, memory and characterwork using lifesized puppets and costumes.
Play Pretend (2015)
Performance with puppet at Støy på landet Festivalen, Trondheim.
A night of neverending endings (2019)
Durational concert performance with the music- and performance duo Oak & Shaw, at Y Choreography Festival 2019, Haut Scene Copenhagen. Scenography using melting ice, acoustic sound, light and textiles.
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
A night of neverending endings (2019)
Durational concert performance with the music- and performance duo Oak & Shaw, at Y Choreography Festival 2019, Haut Scene Copenhagen. Scenography using melting ice, acoustic sound, light and textiles.
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
Costumes & scenography, in collaboration with Jakob Oredsson for Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
MOVING STRANGERS 01, Pinhole performance (2019)
Pinhole performance during Cosmonauti Festival 2019, Italy.
MOVING STRANGERS 01, Pinhole performance (2019)
Pinhole performance during Cosmonauti Festival 2019, Italy.
costume for Plast-iiik! (2017-2020) b y Ingvild Holm
A performance by and with Ingvild Holm. Costume, research and participating performer Hazel Barstow. Music by Einar Stenseng. shown at Chat Noir Theater (Oslo), Meteorfestivalen (Bergen), Klimafestivalen at Sentralen (Oslo) and in a private house (Oslo) between 2017 - 2020.
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
costume for Plast-iiik! (2017-2020) b y Ingvild Holm
A performance by and with Ingvild Holm. Costume, research and participating performer Hazel Barstow. Music by Einar Stenseng. shown at Chat Noir Theater (Oslo), Meteorfestivalen (Bergen), Klimafestivalen at Sentralen (Oslo) and in a private house (Oslo) between 2017 - 2020.
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Video from Long Shot for Recent tides (2016)
Video from performance at Hydrogenfabrikken during SKOP Kunststi 2016.
Nownow (2015)
Site specific performance at METEOR Festivalen 2015, Bergen / during masters in scenography at Norwegian Theatre Academy. Created and performed by Hazel Barstow, Karoline Holland and Kaja Mærk Egeberg.
Nownow (2015)
Site specific performance at METEOR Festivalen 2015, Bergen / during masters in scenography at Norwegian Theatre Academy. Created and performed by Hazel Barstow, Karoline Holland and Kaja Mærk Egeberg.
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